Miles Teller, known from his recent role as pilot Lt. Bradley “Rooster” Bradshaw in “Top Gun: Maverick,” hosted the “Saturday Night Live” season 48 premiere. The premiere followed departures of significant cast members, including (but not limited to): Kate McKinnon, Cecily Strong, and Aidy Bryant, which worried fans that the show would continue to go downhill. To those fans I say: yeah…but there’s hope.

The cold open was a basic political sketch (an SNL staple) with a twist. Two characters played by Teller and Andrew Dismukes watch SNL and judge it, essentially pointing out the obvious concern: will the show be the same without its beloved cast members? 

Though Kate McKinnon’s departure was more evident than others due to her character range and iconic roles as political figures, the new cast members carried the sketch and made sure it didn’t crash and burn. Michael Longfellow’s performance in this sketch, though brief, was noticeable. Longfellow continued to make his mark throughout the episode, leading me to believe that he’ll stay on the show after the infamous first-year dropouts.

The cold open also consisted of a few celebrity guest appearances, like Jon Hamm, though the sketch didn’t contain major significance and the show would’ve easily moved on without his performance. 

The new season of SNL brought a change in branding. The show changed its signature font—seen both on social media and in the cast introductions—and the intros were reshot as well. Although the intros have the same vibe as previous seasons, they’re more cinematic and on par with Mary Ellen Matthew’s photos for the host and musical guest.

Going into the episode, Teller’s monologue was average and boring. The only part that stuck out was a video shown to the audience of Teller and his sister recreating the “Spartan Cheerleader” sketch.

Out of  all of the sketches, three give me hope. “Send Something Normal,” “BeReal,” and “Nicole Kidman AMC Ad.” 

“Send Something Normal” called out Adam Levine for his recent Instagram DM scandal. The sketch was a parody game show with four “celebrity” competitors. Mikey Day plays Adam Levine, James Austin Johnson plays Armie Hammer, Kenan Thompson plays Neil deGrasse Tyson, and Bowen Yang plays himself trying to respond “normally” to a woman’s DM. Its satirical references towards scandals and witty humor made sitting through some of the lesser sketches worthwhile. The punchlines had the type of humor that makes your jaw drop. 

However, “Rooftop Bar,” “Grimace,” “Caribbean Queens,” and “Charmin Bears” just made me want to watch political ads on another channel. “Rooftop Bar” and “Charmin Bears” both had cringy lines and were flat-out not funny. “Charmin Bears” felt abrupt in its ending and didn’t have much of a storyline. “Rooftop Bar” made me want to step into the TV and punch Day and Teller’s characters. Although that’s the point of the sketch, it was not executed well.

Watching “Grimace” was a rollercoaster. The base plot was funny, but again the execution was awful. The sketch seemed messy, rushed, uncoordinated, and uncontrolled. The last few minutes of the sketch were funny, but it wasn’t worth sitting through the four minutes. The idea had potential and I’m disappointed that it didn’t live up to it.

Then there’s “Caribbean Queens,” reminiscent of the first four seasons of Seinfeld—mindlessly boring. Usually with SNL, if the show’s not funny, it’s still entertaining. This sketch proved that theory wrong. Through the sketch I could find myself drifting off, snapping back with no idea what’s happening, and not caring at all.

The best part of this episode, however, was rookie cast member Longfellow’s performance on “Weekend Update.” He talked about conservative family members and how to coexist despite drastic differences in political ideology. His flawless delivery and dry humor made this segment one of the better “Weekend Update” features on the show. The topic wasn’t as mindless as other features in the episode, and Longfellow did a wonderful job balancing his opinions with comedy. His debut is reminiscent of Sarah Sherman’s from season 47 and I expect to see more of him this season. 

Although we lost many iconic cast members and this episode overall had pretty average sketches, Longfellow’s performance gives me hope for the season.

Episode 2 of “Saturday Night Live” was okay; the sketches were a hit or miss. Brendan Gleeson hosted SNL this past weekend and there’s not much to say about the episode besides that it’s boring, but let’s see why.

The episode started out with a funny cold open titled “So You Think You Won’t Snap,” which was one of the only genuinely enjoyable sketches. In the cold open, Bowen Yang’s character hosts a game show and says increasingly infuriating facts about the world, ranging from national politics to pop culture, until the game show participant snaps. The relatability from Heidi Gardner’s hyperbolic reaction as a participant of the game show, and her performance made the cold open absolute perfection.

Gleeson’s monologue was relatively boring, with poor attempts at self-deprecating humor: “[I]f you don’t recognize the face, I’m that fellow you’ve seen in that thing you can’t remember but you think you kind of liked.” Gleeson proceeded to play the mandolin which was just odd and off putting, and his tone sounded like he was in a PBS documentary on the Irish landscape.

SNL then tried to parody Try Guys drama, though the attempt was just pathetic. The sketch didn’t address the real reasons people were upset and wasn’t funny either. The performances didn’t parallel the actual events and the most entertaining part of the sketch was probably when Mikey Day broke character.

The digital sketch  “New Cast Advice” made “Try Guys” worth sitting through. Molly Kearney’s performance was incredible with their delivery reminiscent of Melissa McCarthy’s performance in “Bridesmaids.” Kearney definitely has incredible potential and I can see them as a replacement for Kate McKinnon.

Lately, Please Don’t Destroy has been carrying SNL, evident in their latest digital sketch “Tommy.” Their signature brainless comedy style proves to be timeless and really carried this episode.

Both Weekend Update features were perfect. Ego Nwodim’s performance brought me straight back to the 2013-2017 era of features on Update and Marcello Hernandez got a strong start in the show. He was not only hilarious, but also entertaining to watch in regards to his burning passion for baseball.

“Blood Oath” was just… ugh. The sketch relied on fake blood flying everywhere in order to generate laughs which seemed like a desperate attempt at providing entertainment. While the concept was really funny in previous years, it has been overused. 

The episode ended with a sketch that depicts how I feel about the recent seasons of the show in general: It’s funny and entertaining but not laugh-out-loud funny. “Eyes” depicted Sarah Sherman in her signature “crazyyy” persona and was fun to watch. The characters played by Michael Longfellow, Nwodim, and Yang were very judgemental and were amusing, but Gleeson didn’t stand out at all. This isn’t new. Throughout the entire episode, Gleeson seemed to simply remain in the background, and the viewer barely notices his involvement in the episode.

This episode really had its ups and downs. If you’re going to sit through to watch the whole thing, I wish you luck. If you already did, I’m sorry you had to sit through some of the sketches you did.